Milan Kroulík

Is a young postdisciplinary theory researcher, amateur image maker and novelist-to-be. He publishes on image thought engaged via anthropology, cinema, media theory and philosophy, while empirically experimenting with connecting technology and ritual, especially against Buddhist worldings and motion as conceptual ground. From these components, he works to transform infrastructures of thought to make them more fit for impossible futures. What particularly guides his attention is the goal of grasping forms, whether drawn from moving images or bodies, as thought and the history of thought as a history of decentralized transformations. He has published with various postdisciplinary journals around the world.